Courtney Brown’s Announcement: The Giza Pyramids

SpceShpPyramidsAtlantis

AngelicView:  I’m watching this – and getting it right out to you – all at the same time. See how I can multi-task?  🙂

“There are three components to this announcement, arguably the most important announcement in recent years. The first is called Farsight Planet 2014, and it is found in a video just released on YouTube. It is also found on the home page of The Farsight Institute.” ~Courtney Brown

The Great Pyramid of Giza, sometimes called the Pyramid of Khufu, or the Cheops Pyramid, is truly one of the most amazing mysteries on Earth. This is the definitive breakthrough study of how it was built. It is huge, and it was built with gigantic stone blocks that seem nearly impossible to cut, transport, and assemble even today on such a massive scale as must have occurred long ago when this pyramid was originally constructed. Until now, no one on Earth really knew how these big structures were assembled, at a time when tools were rudimentary, camels and wooden or reed boats were the primary forms of transportation, and manual labor was the only means available to construct anything.

This is a breakthrough scientific study that combines the use of remote viewing on an unprecedented scale to solve the mystery of the Great Pyramid of Giza. Remote viewing is a mental procedure that was originally developed by the United States military and used for espionage purposes. Now, civilians employ the same methods, or procedures that are derivative of those methodologies, to study human history. In a project completed at The Farsight Institute using remote-viewing data collected by two of the most accomplished “military grade” remote viewers of the day, the true story of how the Great Pyramid of Giza was actually constructed using a combination of exotic advanced technology and brutal manual labor can finally be told.

Very little of what most people learned in school about the origins of the Great Pyramid of Giza is correct. Our civilization needs to uncover its true history without bias and with an open mind. Now is not the time to censor new knowledge. Now is the time to face our past. Farsight Press


There are multiple video items for this project. Please go through them one at a time.

Item 1: The trailer for the documentary release for this project.

He says this is the first part in a series of videos. He will post the second one later today.

Project Overview

This remote-viewing investigation answers the questions of who built the Great Pyramid of Giza, why was built, and for what was it originally used. This pyramid is alternately known as the Pyramid of Khufu, or the Cheops Pyramid. Here is a picture of the pyramid.

Cheops Pyramid

For this project, the above figure is used to define the target, and it is referenced below as “figure 1.” Photo credit: Nina Aldin Thune (from Creative Commons of Wikipedia)

Principal Investigator for this project: Courtney Brown

Blind Conditions for all Remote-Viewing Data: All remote viewing for this project (as with all projects conducted at The Farsight Institute) was conducted under totally blind conditions. The viewers were told nothing about the project or specific targets while they were conducting their remote-viewing sessions. They were only instructed by a non-leading email that there is a target, and that they should remote view it. To understand the differences between an operational project such as this one and a strictly scientific project (such as our Multiple Universes Project), see the discussion on our Mysteries Project main page.

A Note About the Quality of the Remote Viewing for This Project: This is clearly an important project in the history of remote viewing. The mystery surrounding the construction and purpose of the ancient Egyptian pyramids has been the focus of countless narratives and speculative hypotheses going back thousands of years. Thus, the quality of the remote viewing for this project is of ultimate concern. The two remote viewers participating in this project, Dick Allgire and Daz Smith, are arguably among the very best remote viewers on the planet currently. They have long and well-documented public track records for remote viewing, a great deal of which is available to see on the web site for The Farsight Institute in projects spanning a great many years. The quality of the remote-viewing sessions for this project is absolutely stellar. These are not sessions containing vague impressions that suggest possible target contact. Rather, these remote-viewing sessions are clear representations of the targets, both verbally and with unambiguous drawings. People are encouraged to both read all of the session summaries for this project, but also to closely examine each page of the individual remote-viewing sessions to fully appreciate the quality of these remote-viewing efforts in terms of accuracy, as well as the breadth and depth of the perceptions.

The Remote-Viewing Targets

NOTE: There are six targets for this project, Targets 7a through 7f. Two of the targets are nearly identical in wording for this series. That is, Target 7a is essentially the same as Target 7d. The reason this was done is because of the concern that the picture of the pyramid found in Target 7a might draw all viewers to the pyramid itself rather than the actual target as defined in its wording. Target 7a is the mining of the largest rocks used in building the pyramid, and the intent of the target is to have the viewers perceive the actual mining process itself without being distracted by the psychic impression of the huge finished monolithic structure. Having the viewers revisit this target using separate target definitions that alternatively do or do not contain the image of the pyramid was thought to help isolate the actual intent of the target.

Why does this matter if the viewers are not told anything about the target when they do their remote-viewing sessions? Past research into the remote-viewing phenomenon conducted at The Farsight Institute demonstrated that the focus of a remote viewer’s perceptions during a remote-viewing session is mediated by a telepathic connection between the remote viewer when the session is being conducted and the person who first compares the remote-viewing data to the actual target, who in this case is the analyst (Courtney Brown). Thus, the analyst would have the target definition in front of him when the data are being initially examined, and the presence or absence of the pyramid image at the time of this initial examination might influence the focus of the perceptions of the remote viewers. Thus, targets were designed which both did and did not contain the image of the pyramid.

Target #7a: The target is the mining of the largest rocks used in the construction of the Great Pyramid of Giza (also known as the Pyramid of Khufu, or alternatively, the Cheops Pyramid) as shown in the image figure 1. The viewer should perceive the location of the mining operation where the majority of the largest rocks were mined, and the process of mining the rocks. The date and time of the target should be that which is optimal for perceiving the mining processes employed with respect to the largest rocks used in the construction of the pyramid.
Target #7b: The target is the actual construction of the Great Pyramid of Giza (also known as the Pyramid of Khufu, or alternatively, the Cheops Pyramid) as shown in the image figure 1. The viewer should perceive the the construction of the pyramid with respect to the largest rocks used in the construction. In particular, the viewer should perceive how the largest rocks were moved into position during the construction process. The date and time of the target should be that which is optimal for perceiving the construction process involving the largest rocks used in building the pyramid.
Target #7c: The target is the Great Pyramid of Giza (also known as the Pyramid of Khufu, or alternatively, the Cheops Pyramid) as shown in the image figure 1, as the completed pyramid is being used for its originally intended purpose. The viewer should perceive the activities involved with this originally intended purpose. The date and time of the target should be that which is optimal for perceiving the activities associated with the original purpose of the finished pyramid after the completion of its construction.
Target #7d: The target is the mining of the largest rocks used in the construction of the Great Pyramid of Giza (also known as the Pyramid of Khufu, or alternatively, the Cheops Pyramid). The viewer should perceive the location of the mining operation where the majority of the largest rocks were mined, and the process of mining the rocks. The date and time of the target should be that which is optimal for perceiving the mining processes employed with respect to the largest rocks used in the construction of the pyramid.
Target #7e: The target is the transportation of the largest rocks used in the construction of the Great Pyramid of Giza (also known as the Pyramid of Khufu, or alternatively, the Cheops Pyramid) from the original mining site to the location of the pyramid. The viewer should perceive the method and process of transportation for the largest rocks as it is used to span the largest distance between the mining and ultimate destination points. The date and time of the target should be that which is optimal for perceiving the transportation processes employed with respect to the largest rocks used in the construction of the pyramid.
Target #7f: The target is the subject or subjects who originally conceived of the idea of building the Great Pyramid of Giza (also known as the Pyramid of Khufu, or alternatively, the Cheops Pyramid) as shown in the image figure 1, at the time when this subject or subjects were conceiving of the idea and planning to develop the project. The viewer should perceive and describe the location of the subject or subjects when they are conceiving of the idea. The viewer should observe the thoughts of the subject or subjects so as to understand the reason for building the Great Pyramid of Giza.

 

The Mysteries Project #7: The Remote-Viewing Sessions

The Viewers
(Listed in alphabetical order)
The Sessions Individual Session Summaries
Dick Allgire Download for Target 7a:
Dick_Allgire_7a
Target 7a: The mining if the largest rocks used in the construction of the Great Pyramid of Giza (with image in the target definition)This session is filled with images and verbal data involving rocks being crushed, cut, and pulverized with great force, apparently creating sheer cliffs (see pp. 5, 8, 10, 12, pdf numbering). Great energy was apparently involved in this process (see p. 6), producing gaseous and shock-wave by-products.
Download for Target 7b:
Dick_Allgire_7b_Session_1
Dick_Allgire_7b_Session_2
Target 7b: The actual construction of the Great Pyramid of Giza (involving the largest rocks)Session 1: The first half of the session is filled with a great many perceptions of repetitive mechanical processes working with rock. Great energy is used in the process, involving the melting of rock (as in “artificial vulcanism”). There is mining on a large scale. Energy is used to cut rock much in the manner that welding is done with metal, producing liquefied rock. The viewer explicitly describes what looks like “high tech alien mining” (see p. 15, pdf numbering). This description is accompanied by clear drawings of energy tools being used that focus energy on rock. The rock is both liquefied and vaporized, involving great heat and pressure, thereby separating the rock (see also p. 15, pdf numbering). There are life forms working on all of this. They have a hive mentality, working in large numbers underground. They feel like “drones, not too smart” (see p. 17, pdf numbering).Session 2: This session is filled with perceptions of drone-like humanoids who are genetically engineered to work under extremely harsh and polluting environments involving high tech processes used for constructing large rock structures. The environment is like a foundry with toxic air quality. Everything is high tech. Energy is used to melt rather than blast rock. Construction is on a massive scale, and large underground tunnel complexes are involved. The workers seem to be “grown” from fetuses in artificial environments by beings whom the viewer perceives as “preying mantis” in nature.
Download for Target 7c:
Dick_Allgire_7c_Session_1
Dick_Allgire_7c_Session_2
Target 7c: The completed Great Pyramid of Giza as it is being used for its originally intended purposeSession 1: In this session, the viewer describes both verbally and with detailed sketches a collection of pyramid shaped structures that are separated by long distances yet connected by energy (see pp. 6, 7, 10, 15, 18, pdf numbering). The connection between the various structures appears to follow some type of energy or “ley lines.” The structures themselves appear to be connected energetically. The energy connecting the structures seems to be at least in part electro/magnetic in nature. There is the sense of “Earth frequencies.” The energy moves through the Earth, and it is either not natural, or it is being harnessed and controlled. The viewer clearly draws the pyramidal structure of this target on page 14 (pdf numbering), noting that the structure extends underground as well. The energy that connects the various pyramidal structures appears to run in straight lines (p. 15, pdf numbering). The viewer then draws in detail a collection of pyramids that seem to be closely spaced, and explicitly states that this large, complex, and beautiful symmetry reminds him of “the pyramids when they were alive” (p. 16, pdf numbering). Near the end of the session, the viewer describes both verbally and with sketches subjects participating in the flow of energy related to the target structure. The viewer writes “Bright light! Energy! Like a half-mile high Tesla coil. This looked like a light show at a rock concert – but seemed like many people watching Northern Lights. But energy spectacle is closer. Awe inspiring.” (p. 20, pdf numbering). At the very end of the session, the viewer shifts his perception to the inside of a geometrically shaped (internally) tunnel. He had the sense of a particle super coleader tunnel.Session 2: This session has two themes. The first is the sense of large and well-constructed underground chambers that are connected with tunnels. The second theme is the idea of “native” people on the surface (that is, not underground) involved in agricultural pursuits. 
Download for Target 7d:
Dick_Allgire_7d_Session_1
Dick_Allgire_7d_Session_2
Target 7d: The mining of the largest rocks used in the construction of the Great Pyramid of Giza (without image in the target definition)Session 1: The viewer perceives a great deal of construction activity. The workers appear to be slaves of some sort, where the elite who act like high priests just watch from a distance (see p. 11, 16, pdf numbering). The shape of the pyramid begins to be perceived on page 14, and the nearby Sphinx is clearly drawn on page 15 (pdf numbering). Some kind of energy of “dazzling beauty” is being emitted from the pyramid structure as subjects look on (p. 17, pdf numbering). Some subjects at the target site are confined in small and crowded cages, and they are horribly treated (p. 18). There is also some sense of human sacrifice and cannibalism associated with the target activities. The viewer perceives some sort of “high priest” who conducts some sacrificial ceremony that reminds the viewer of a “Satanic ritual” (p. 20, pdf numbering). The viewer also perceives and draws some sort of subject who does not look human, a subject that seems “demonic” and “terrifying” to the viewer (p. 21, pdf numbering).Session 2: In session, the viewer clearly perceives mining activity. The mining activity involves the high-tech use of focused energy to fragment rock, leaving a crater. The viewer clearly describes this process in a time frame manner (pp. 6-11, pdf numbering). (See also p. 14 for a nice verbal description of the process.) Large numbers of subjects are associated with this target, and there is a sense of activity that is both scientific and shamanistic. Crystals are used in some manner. There is a tremendous display of energy that is witnessed by these many subjects. There is also the sense that the energy is connected to grid or lay lines (pp. 12 & 15, pdf numbering). 
Download for Target 7e:
Dick_Allgire_7e_Session_1
Dick_Allgire_7e_Session_2
Target 7e: The transportation of the largest rocks used in the construction of the Great Pyramid of GizaSession 1: The viewer describes a great many people collectively working with stone. The people are densely packed in their work environment. The viewer clearly describes the solid stone blocks at the target site (p. 13, pdf numbering) and the masses gathered together near them in a scene that reminds the viewer of an old city central plaza (p. 13-18, pdf numbering). There is an elevated energy event that is witness by many subjects.Session 2: The viewer describes something that moves through the air and seems to impact the ground at some point.
Download for Target 7f:
Dick_Allgire_7f
Target 7f: The subject or subjects who originally conceived of the idea of building the Great Pyramid of GizaAn important and powerful male subject is dying (see especially p. 7, pdf numbering). The subject is located in a large and ornate structure. The subject has some type of head disease or injury, possibly a brain tumor. The subject is resigned to his fate, but he wants to leave some kind of legacy. He wheezes with a raspy voice. There is also a pretty female who is very loyal to the dying male (see also p. 9, pdf numbering). Also, there is a male in his 30’s who is essentially a loner who uses people. This subject has bad teeth, has a criminal mentality, plots, steals, and is threatening. There is a fourth subject who is male and somewhat overweight. He wants to control the situation, wears nice clothes and cologne, and is distrustful of others. There is an unhealthy plot underway. Someone could get murdered (p. 8, pdf numbering). Intense and difficult negotiations are underway. The negotiations seem to involve the control or release of information (p. 13, pdf numbering). There seems to be some sort of advanced computer technology associated with this target (p. 14, pdf numbering). The technology seems to involve the storage of huge quantities of information.
Daz Smith Download for Target 7a:
Daz_Smith_7a_Session_1
Daz_Smith_7a_Session_2
Target 7a: The mining if the largest rocks used in the construction of the Great Pyramid of Giza (with image in the target definition)Session 1: This session is filled with perceptions of a great many subjects involved in working with large stone structures. The materials involved are multi-sided solid stone. The sloping sides of the structure being constructed are beginning to become apparent (see p. 9, pdf numbering). The viewer connects this target activity with the concept of a spiritual purpose, and even mentions parallels with the burning bush and Ten Commandments biblical stories (see p. 14, pdf numbering). There is also a great deal of physical energy involved in the processes involved with this target. At least a few of the subjects involved in this process have advanced telepathic abilities that seem to “connect” them with something larger (such as “the universe”). (See p. 10, pdf numbering.)Session 2: In this session, the pyramid geometric design is clearly perceived (see pp. 7 & 8, pdf numbering). The viewer interestingly perceives (and clearly describes and sketches) one door at the base of the pyramid structure that leads down, not up. The structure is made of stone (see p. 10, pdf numbering). This is construction process involving a great many humanoid subjects (see p. 11, pdf numbering). The viewer does not sense resentment or oppression among the workforce. Some of the workforce operates in deep pits in the presence of intense heat, fire, burning (see. p. 12, pdf numbering). The viewer connects the feeling of the target with the sense of the ancient Karnak Temple Complex (see p. 15, pdf numbering).
Download for Target 7b:
Daz_Smith_7b_Session_1
Daz_Smith_7b_Session_2
Target 7b: The actual construction of the Great Pyramid of Giza (involving the largest rocks)Session 1: The viewer perceives heavy manual work with this target (p. 2, pdf numbering). There is a spiritual element to this work, in the sense of a “connection to God” (p. 3, pdf numbering). Subjects are guiding/moving large multi-sided stone components/structures (p. 6, pdf numbering). The pyramid geometry of the structure being constructed is clearly described and sketched on p. 7, pdf numbering). The heavy stones used in the construction are being moved via levitating technology (p. 8, pdf numbering). Workers are pushing and pulling the solid stones to guide their movement while levitating technology is simultaneously being used to lift the stones (p. 9, pdf numbering). The levitating process produces no noise, but there is a visible “wavy” by-product, like heat would produce. This is both an electrical and mechanical process, and the stones are lifted approximately 18 inches to 2 feet above the base surface using this technology (p. 10, pdf numbering). This occurs in the past, but it involves advanced technology. Many workers are moving these stone parts into place, and the workers seem to be male (p. 11, pdf numbering). The viewer gets the sense hieroglyphics (p. 13, pdf numbering). The target pyramid is unambiguously drawn in detail on page 14 of this session. The viewer also describes the sandy, dry environment of the target structure.Session 2: This session has more general impressions of a large structure that is being constructed. This takes place in the past, and there is a spiritual element to the process. Machinery is involved, including mechanical elements with gears and other moving parts (see p. 11, pdf numbering).
Download for Target 7c:
Daz_Smith_7c
Target 7c: The completed Great Pyramid of Giza as it is being used for its originally intended purposeThe structure’s placement on land in key to this target. Life, land, and structure are working as one for some intended purpose or goal. There is a massive angular structure that was a monumental and long undertaking. The result will be some manipulation of the environment to satisfy some needs. The structure has sloped, angular sides. There is also some kind of walkway or ramp to the structure. The viewer perceives that the purpose of the structure is to assist in the communication with God or higher beings. Crucially, the building of the structure is perceived to be as important at the resulting finished structure. Whatever the purpose of the structure, its purpose seems now to be lost somehow. On page 15 (pdf numbering), the viewer draws a pyramidal structure that is constructed with large blocks. When finished, it is gleaming and white. The viewer again repeatedly draws the pyramidal shape of the multilayered structure on the last page of the session.
Download for Target 7d:
Daz_Smith_7d
Target 7d: The mining of the largest rocks used in the construction of the Great Pyramid of Giza (without image in the target definition)In this session, the viewer clearly perceives the Great Pyramid of Giza in a state where it is being constructed. This is evidenced by the flat top of the pyramid structure drawn on various pages (see in particular, p. 6, 9, and 12, pdf numbering). The viewer also perceives energy in some form emanating from the target structure (see pp. 9 & 12, pdf numbering). This energy and/or the target structure seems to be associated some type of spiritual activity, such as communicating with “higher beings.” There is also a sense of using the structure to transmit a message, “This is us. Look at us. This is who/what we are!” (p. 10, pdf numbering). The pyramid structure is located in a harsh and desolate desert, and the viewer perceives writing that he describes as “hieroglyphics” (pp. 8 & 9). There are many subjects gathered at the target, many coming from vast distances away, in a sort of pilgrimage (p. 8, pdf numbering). There is a religious feel to this activity.
Download for Target 7e:
Daz_Smith_7e_Session_1
Daz_Smith_7e_Session_2
Target 7e: The transportation of the largest rocks used in the construction of the Great Pyramid of GizaSession 1: The viewer describes an indigenous society from the ancient past that is based on slaves and masters. Yet there is great social change in progress, with some new subjects arriving from far in vehicles/ships with new knowledge, new ideas, new medical knowledge, and new technology. An old system of beliefs falls away among the indigenous subjects, and subjects depart from the area with their families in large numbers. All this change happens over a decade or two. The newly arrived subjects are enlightened travelers and explorers, and they are the ones who start this new golden age in a short period of time. The primary location perceived by this viewer is an ancient city with temples (p. 12, pdf numbering). On pages 10 and 11, the viewer describes the basic physical layout of the pyramid’s internal structure, as well as the arrangement with another pyramid situated in a wide landscape. Some of the structures have extensive construction underground.Session 2: The viewer describes artificially created energy involved in moving objects (pp. 5 & 6, pdf numbering). The energy is frequency based, possibly involving sound. It seems to resemble magnetism in the sense of its affect on objects. On page 9 (pdf numbering), the viewer clearly describes subjects moving large rectangular blocks. Part of the movement appears to lift the blocks off of the surface such that they float while the subjects guide them into place. (See also p. 11, pdf numbering.) (Thus, the subjects are not lifting the large blocks. Something else is doing that. But the subjects are guiding the blocks that appear to be floating in mid air.) On page 10 (pdf numbering), the viewer describes how the large blocks are moved up ramps while being assisted by energy. It is a combination of low and high tech. Because of the energy that lifts the blocks, moving them is not difficult. It is as if the blocks are sitting on a cushion of air (p. 12, pdf numbering).
Download for Target 7f:
Daz_Smith_7f
Target 7f: The subject or subjects who originally conceived of the idea of building the Great Pyramid of GizaIn this session, the viewer perceives subjects and their social order. There is a hive mentality with something like a caste social system. The social order is rigid, top-down, hierarchical, and highly controlled. There is the sense of a leader, like a king. This leader has the responsibility to get something done, and he issued orders to get it done. The leader is very serious and determined. There is a setting that seems like the court of a king, with two males and one female on an elevated platform, and lower-level subjects in front of the elevated platform (see p. 7, pdf numbering). This is an ornate setting, with some pomp and the sense of ceremonial activities. There is a huge construction project being planned and executed. Lots of subjects are involved. There is a need to rally support for the project. The physical work is backbreaking (see p. 8, pdf numbering). The workers feel like slaves, but they are not bound in chains. There is a caste system where the workers are subservient. The workers take orders and are very hard working. They do not know why they are doing what they are doing. The just do it because they are ordered to do it. Many subjects are relocated, and they are placed in temporary homes (p. 10, pdf numbering). There is the sense that advanced technology is being employed for this project (p. 13, pdf numbering).

NOTE: All page numbers reference in the above table refer to the pdf page numbers, not a page number written on the actual sessions.

Advertisements

18 thoughts on “Courtney Brown’s Announcement: The Giza Pyramids

  1. I think that it’s quite exciting! Though the information really isn’t new to us who have done our homework. 🙂

      • I alredy checked Farsight.org and some of the pictures from the RV sessions, but I am just about to watch the whole movie since I bought it. The subject of remote viewing has started to interested me more than before! I must admit, Courtney knows how to sell this stuff.

            • I must admit, I would like to hear more about the mantis/insectiod alien race as there is not much information out there about them. What I have found makes them out as very spiritual and positive beings.

              • Yes, I have read that, too. They have shown up in a lot of different experiences such as hypnosis and visions, and they’ve always been portrayed as benevolent. I do believe I’ve even read about them in an NDE before.

          • It was good, but not anything groundbreaking. There were a lot of technical details which are already described in Edgar Cayce’s readings and in the Law of One channelings. Dick Allgire seems to be an extremely good remote viewer because he can also sense how distant things feel.

            • Okay, thanks for letting us know about that! Now, when you say “how distant things feel”, do you mean in the physical sense like how far away something is from something else? Or do you mean distant as far as how far into the past or future something is? Like, time-wise?

              • How things feel in the past or in the future… Things which don’t even exist anymore or people with their thoughts and feelings. I think that it is pretty amazing if someone is able to access those things just by “remote viewing” them. Basically remote viewing transcends time and space. I don’t know much about the science of RV and how it is connected to quantum physics, but I guess that the viewer accesses the universal mind through his subconscious and all of the data is stored there.

                Not sure if it is the same thing as the Akashic records which Edgar Cayce accessed through his trance state. The remote viewers are very conscious, but they try to use their subsconscious as much as they can so that their mind is not able to influence what they are perceiving. I hope that makes sense.

                Here is one full remote viewing session where Dick Allgire’s remote viewing task was the disappearance of a person…

  2. Great stuff Angelic , unfortunately for Courtney he has probably lost an enormous amount of credibility . For some reason the text of this article isn’t showing too well

    • I completely agree Frank. I was under the inpression that it would be some kind of mainstream announcement and not him selling his documentary.

      Much of the text in this post is in the form of a very large graph, so if you’re looking at it from a very small screen it might be bunched up and it might look wrong. That’s the only thing I can think of there. 🙂

  3. If there was an alien race helping build the pyramids, (One that worked with the elites, and saw no issue with the use of slave labor), where did the go? Why did they stop? Or did only the Ancient Egyptian elite know of these aliens? So there could be the same alien’s working with the elites today.

    • Exactly PNF – that is what the theory is – it’s that they’re still working with the elites, but behind the scenes.

      I have no idea if it’s true but there are certainly a lot of different people saying that from all different fields. It does make one wonder sometimes.

      As far as the reason why they’re not working out in the open anymore, I am not sure as I haven’t studied the subject that much.

  4. And that’s it? I expected there would be some more. I am disappointed.

    The idea of “moving huge blocks by slaves with use of levitation” is stupid. Really. It is very ineffective and expensive way.

    More likely, pyramids could be easily built by ancients with something like a natural concrete (mix of milled granite, clay, carbonates and water) that quickly turns to granite-like stone and becomes harder and harder with years. Just cast it in forms, right in place, and let it solidify. Look at these ancient stone blocks, high pillars, domes and you’ll see multiple signs of in-place casting.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s